Perhaps better sounding and with more features than the Lead 12 version from the 80’s, and certainly a more so. Some people consider this series the best Mini Stack Marshall ever made. So if you're on the West Coast please give us your exact location and we may be able to adjust the shipping price down. This is a dead mint late 90’s/early 2000s Marshall solid state Mini Stack Lead 15, modeled on the JCM 900 series. NOTE: Due to the high shipping weight on this item we may be able to knock a decent amount off of shipping to the West Coast vs East Coast because of a noticeable difference in our cost between the two. Interested In This Item? Message Us With Any Questions, And Feel Free To Make An Offer! We Consider All Reasonable Offers! This puppy gets pretty loud for its size too! It does a great job of reproducing that classic Marshall sound in a compact and cool package. Awesome!) living room amp to have on display, for practice, or even for playing low wattage gigs. Tailor-made for Marshalls 2525H Mini Silver Jubilee tube amp head, the Sweetwater-exclusive Marshall 2536A Silver Jubilee guitar speaker cabinet packs 2 x 12' Celestion G12 Vintage speakers, yielding punchy lows, smooth mids, and creamy highs, along with massive Marshall tone and epic volume. Features include on board reverb, gain and EQ controls, an input jack especially for a CD or MP3 player, a line out, and a separate headphone jack for quiet practice. All jacks, functions, knobs, and electronics are in perfect working order. It comes with the G15MS head, two cabs (one regular and one angled of course!), and the original power cable and speaker cords. These amps are getting harder to come by, and it's especially hard to find one in absolutely flawless condition like this. Perhaps better sounding and with more features than the Lead 12 version from the 80’s, and certainly a more solidly made product than the newer MG series Mini Stack models. I have already done the pedal but I have things that I would like to understand.This is a dead mint late 90’s/early 2000s Marshall solid state Mini Stack Lead 15, modeled on the JCM 900 series. It is not that only Gain2 goes to ground but rather that Gain3 also, I do not just understand the scheme, this connection seems to end in an arrow in the ring of the jack, how do we interpret it, which disconnects when the jack is inserted in LOW? Does the following arrow say the same when connecting HIGH? Is it an antiPop circuit that only makes sense when there are no jacks in? Gain works the opposite of what is expected. In the statement of the scheme It says: 10 Cuts, 3 Jumpers, I will have gone crazy crazy looking but I only see two. No es que solo Gain2 vaya a masa si no que Gain3 también, no acabo de entender el esquema, esta conexión, parece acabar en una flecha ¿cómo lo interpretamos, que se desconecta cuando el jack se introduce en LOW? ¿Hace lo mismo al conectar HIGH? ❾s un circuito antiPop que solo tiene sentido cuando no hay jacks puestos? Gain funciona al revés de lo que se espera. Here are the links for the devices I used it with:Įn el enunciado del esquema Dice: 10 Cuts, 3 Jumpers, Me habré vuelto loco loco mirando pero solo veo dos. It's not a high gainer at all despite the considerable amount of gain it pulls out: useless for palm mutes, great for kerrangg chords. I also like it with gain halfway and other pedals (TS9, Golden Dragon) pushing it. Actually, I like it better this way than some other hyped Plexi emulations.īear in mind that it's just the preamp section, so it may not sound good plugged to some devices: it was absolutely horrible thru my DAW and running in a cab impulse, for example. Well I still have to box it, so lots of squeals and buzzes around (as with almost every effect that uses a charge pump) but I tested it last weekend with a fetzer-ish gain stage at the output, directly into a mini SS poweramp, to get some kind of Master Volume + Level controls, and it sounds really good.
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